Kai-Zheng Huang 黃凱正

All the pieces here are created through reduction firing, using slurry ash glaze made by combining local slurry with various types of natural plant ash. The body is paper and the ash is ink. Thus, the name of all the pieces have the word "ink" in it, combined with the color expression of the glaze. The deep ocean, a saturated scarlet, the image of a desert, life growing from dead wood, ink-like colors in the woods.

品皆是以在地的泥漿結合各種天然草木灰調配而成的泥漿灰釉，透過還原燒法所成。坯如紙；灰為墨，故作品名稱皆以墨字命名，結合釉彩的成色表現，淵如深海、緋紅之彩、沙漠意象、朽木生花、林間墨色